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Panasonic Lumix DC-S5 M ll Full Frame Mirrorless Camera

Panasonic Lumix DC-S5 M ll Full Frame Mirrorless Camera

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Highlights: • 24.2MP Full-Frame CMOS Sensor
• 6K30p 4:2:0 10-Bit Video Recording
• C4K/4K60p 4:2:2 10-Bit Unlimited
• 3.68m-Dot 0.78x-Magnification OLED LVF
• 3.0" 1.84m-Dot Tilt/Free-Angle Touch-LCD
• 779-Point Phase-Detection AF System
• 5-Axis Sensor-Shift Image Stabilization
• ISO 100-51200, up to 30 fps Shooting
• Dual UHS-II SD Slots; Wi-Fi & Bluetooth
• Weather-Sealed Construction
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Panasonic Lumix S5 Mark II Full Frame Mirrorless Camera Body And Kit Options
PANASONIC S5 M2 TRADE-IN BONUS OFFER

Purchase an applicable Lumix S5 MARK II Camera and qualify for a Trade-In Bonus of €330. This €330 Is A Bonus Value On Top Of Your Equipment Trade-In Value!.

 

PROMOTION TERMS AND CONDITIONS APPLY.

 

Qualifying Product For Trade-In Must be a working DSLR or Mirrorless Camera which is traded in against the cost of a new qualifying Lumix S Series camera.

CLAIM €330 WITH ANY TRADE-IN

Trade-In Bonus Instant Discount Offer Now! Save an Additional €330 (Voucher Code S5M2FEB-MAR330) Please Ring (016775594) And We Will Apply Your Discount. T&Cs Apply!

Panasonic Lumix DC-S5 M ll Full Frame Mirrorless Camera
Product Code: SKU : DC-S5M2E
Barcode/EAN: 5025232927760
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Panasonic Lumix DC-S5 M ll + 20-60mm Lens
Product Code: SKU : DC-S5M2KE
Barcode/EAN: 5025232927784
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Panasonic Lumix DC-S5 M ll + 20-60 + 50mm F1.8 Twin Lens kit
Product Code: SKU : DC-S5M2WE
Barcode/EAN: 5025232942756
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The Panasonic Lumix S5 Mark ll is incredible in it,s performance in both photo and video capture and stunning lightweight mobility, the classically stylish LUMIX S5 II is designed to fulfil the demands of the most ambitious creators while representing exceptional value for money. Both the S5 II and S5 II X are built around a newly developed 24-megapixel 35mm full-frame CMOS sensor and imaging engine. The sensor supports Hybrid Phase Detection Auto-Focus, a first for LUMIX cameras, while the new engine provides superb image quality and high bit-rate video performance on a par with the LUMIX S1H. With a new imaging engine developed within the L2 Technology partnership formed by LEICA and LUMIX, and a new 24-megapixel sensor, the LUMIX S5II and S5IIX are the first LUMIX cameras to offer Hybrid Phase Detection Auto-Focus (PDAF). The new engine also gives the LUMIX S5IIX and S5II enhanced video recording capabilities including internal 4:2:0 10-bit 6K (3:2) and 5.9K (16:9) at 30fps and 4:2:2 C4K and 4K at up to 60fps, while a new low-profile heat management system allows for unlimited recording times without increasing the size of the camera body. The cameras also support HFR (High Frame Rate) recording at up to 120fps and Slow & Quick capture at up to 180fps.

 

What's new?

Phase detection AF

The biggest news is the inclusion of on-sensor phase detection: a technology Panasonic has not previously used. Phase detection essentially works by generating two views of the scene from slightly different perspectives (typically by forming separate images that 'look' through the left and right sides of the lens) and comparing them. Just as with human vision that uses two eyes set apart from one another, this enables the camera to establish an understanding of distance and depth in the scene.

Comparing the two images lets the camera calculate how far it needs to drive focus in order to bring the two perspectives into alignment, at which point the aligned subject is in focus. This is especially valuable in video mode, as it allows the camera to refocus to a different distance without overshooting and also, critically, means the camera can check that it's still in focus without having to move the lens. This means phase detection can be decisive in situations where it must hold focus, as it can confidently stay there.

Panasonic says it helps to improve tracking ability, performance in low light levels and backlit conditions and when dealing with multiple subjects (staying locked on your chosen subject better because it knows which one in the scene it is).

Subject recognition AF

In the S5 II, Panasonic has combined its newfound depth awareness with an enhanced version of its existing subject recognition tracking system, which has been trained to recognize both humans and animals.

There are three distinct recognition modes that narrow down your intended subject type, to maximize your success rate. Human + Animal tracking mode is the broadest and will track any of the subjects it's been trained to recognize, and we're told will prioritize animals. Human mode has a hierarchy of subjects it can detect, with the highest priority being eyes, then faces, then heads, then bodies; it will focus on the most important of these it can find. Finally, Face/Eye detection solely focuses on eyes and faces in the scene.

In all three modes, the camera will start searching from your selected AF point and the area immediately around it, meaning It will focus on the specified subject type if it's found under your AF point. This system makes it possible to use the AF point to specify an individual subject in a group (you can also change its mind by tapping on the screen or using the joystick to jump between recognized faces). It also means you can leave Face/Eye detection on to specify a non-human subject, without the camera automatically giving precedence to any people in the frame. Note that when your AF area is the whole screen, Face/Eye mode will choose to focus on someone facing the camera, not simply the nearest human if can detect.

Updated in-body image stabilization

Panasonic has also improved its image stabilization system, promising a performance twice as effective as in the S5. For its revised system it's adopted the branding 'Active IS,' though it hasn't been very specific about how these improvements have been achieved.

What the company has said is that its algorithms have been re-worked and that the camera assesses camera motion more precisely. We've been impressed with what we've seen from the S5 II so far, in terms of keeping both stills still and video clips smooth. The Boost IS mode, which tries to cancel all movement for a tripod-like video look, is particularly impressive.

The stabilization system also underpins the eight-shot 96MP High Resolution mode. The S5 II doesn't have the hand-held high-res mode from the GH6, and so requires a tripod or otherwise fixed camera, but it still offers a motion correction mode for preventing artifacts from moving subjects in the scene.

New processor

At the heart of the S5 II is a new processing engine that is the first product of Panasonic's L² co-development project with Leica. The two companies shared know-how and resources to develop the new processor, which we'd expect to see in future Leica models, too.

While Panasonic says the sensor in the S5 II is also new, from what we've seen its performance appears to be similar to its non-phase-detect predecessor, which suggests that its newfound ability to shoot at up to 30fps in e-shutter mode is more about having a processor able to cope with this speed.

Built-in fan

The S5 II includes a fan mechanism, to allow video shooting for extended periods. The fan is at the top of the camera, with vents under the leading edge and along the sides of the viewfinder hump, drawing the heat up and out of the camera. As usual, the fan sits outside the body's sealed area, so the vents aren't a weak point for its dust and splash resistant design.

The fan means the S5 II can record for unlimited periods in most of its video modes, as tested by Panasonic at temperatures of 40°C (104°F). Panasonic points out that most of its rivals only quote figures for 22–25°C (72–77°F), which is significantly less demanding and less representative of average temperatures across much of the US.

Video

The S5 II builds on the video capabilities of the S5, despite using a chip with similar ˜21ms readout times for its 16:9 footage.

The most obvious addition to the camera's capabilities is the ability to shoot full sensor height 3:2 'open gate' video. This is available at up to 30p and provides the scope to crop into various aspect ratios or to pan around the frame in post. Alternatively there are 6K options, either in UHD-style 16:9 aspect ratio or the DCI-like 18.9:1 format.

Beyond this are the full-width 4K modes (both DCI and UHD) which are taken from 6K capture. These are offered at up to 30p and up to 10-bit 4:2:2 encoding.

TYPE Type     Digital Single Lens Mirrorless camera  
  Lens mount     L-Mount  
IMAGE SENSOR Type     35mm full-frame (35.6mm x 23.8mm) CMOS sensor  
  Camera effective pixels / Total pixels     24.20 megapixels / 25.28 megapixels  
  AR (Anti Reflection) coating     Yes  
  Aspect ratio / Color filter     3:2 / Primary color filter  
  Dust reduction system     Image sensor shift type  
LATITUDE       14+ stops (V-Log)  
STILL IMAGE Recording file format     JPEG (DCF, Exif 2.31), RAW  
  Aspect ratio     4:3 / 3:2 / 16:9 / 1:1 / 65:24 / 2:1  
  File size (Pixels) When using full-frame lenses 3:2 6000x4000(L) / 4272x2848(M) / 3024x2016(S) / 12000x8000(XL)* / 8496x5664(LL)* *High Resolution mode.  
      4:3 5328x4000(L) / 3792x2848(M) / 2688x2016(S) / 10656x8000(XL)* / 7552x5664(LL)* *High Resolution mode.  
      16:9 6000x3368(L) / 4272x2400(M) / 3024x1704(S) / 12000x6736(XL)* / 8496x4784(LL)* *High Resolution mode.  
      1:1 4000x4000(L) / 2848x2848(M) / 2016x2016(S) / 8000x8000(XL)* / 5664x5664(LL)* *High Resolution mode.  
      65:24 6000x2208(L)  
      2:1 6000x3000(L)  
    When using APS-C/Super 35mm lenses 3:2 3984x2656(L) / 2880x1920(M) / 2064x1376(S)  
      4:3 3536x2656(L) / 2560x1920(M) / 1840x1376(S)  
      16:9 3984x2240(L) / 2880x1624(M) / 1920x1080(S)  
      1:1 2656x2656(L) / 1920x1920(M) / 1376x1376(S)  
  Image quality     RAW / RAW+Fine / RAW+Standard / Fine / Standard (High Resolution mode: Combined / RAW / RAW+Fine / Fine)  
  Color space     sRGB, AdobeRGB  
MOTION PICTURE Recording file format     "MOV: H.264/MPEG-4 AVC, H.265/HEVC
MP4: H.264/MPEG-4 AVC, H.265/HEVC"  
  Audio format     "MOV: LPCM (2ch 48kHz/24-bit, 96kHz/24-bit*) (4ch 48kHz/24-bit**, 96kHz/24-bit**)
MP4: AAC (2ch 48kHz/16-bit)
*When attaching Φ3.5mm microphone or DMW-XLR1 (sold separately). **When attaching DMW-XLR1 (sold separately)."  
  System frequency     59.94Hz / 50.00Hz / 24.00Hz  
  Image area of video     Full / APS-C / PIXEL/PIXEL  
  "MOV (*1) (*2)
 
*HLG is selectable." 59.94Hz FULL [6K] 5952x3968 (3:2) "29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
        [6K] 5952x3136 (17:9) "29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
        [5.9K] 5888x3312 (16:9) "29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
        [C4K] 4096x2160 "29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
        [4K] 3840x2160 "29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
        [FHD] 1920x1080 "119.88p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
119.88p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
59.94p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
47.95p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
47.95p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
29.97p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
29.97p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
23.98p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
      APS-C / PIXEL/PIXEL [C4K] 4096x2160 "59.94p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
59.94p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
47.95p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
        [4K] 3840x2160 "59.94p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
59.94p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
47.95p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
        [3.3K] 3328x2496 (4:3) "47.95p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
        [FHD] 1920x1080 "119.88p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
119.88p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
59.94p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
47.95p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
47.95p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
29.97p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
29.97p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
23.98p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
*When Image Area of Video is set to APS-C."
    50.00Hz FULL [6K] 5952x3968 (3:2) 25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        [6K] 5952x3136 (17:9) 25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        [5.9K] 5888x3312 (16:9) 25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        [C4K] 4096x2160 "25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
        [4K] 3840x2160 "25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
        [FHD] 1920x1080 "100.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
100.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
50.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
25.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
25.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
      APS-C / PIXEL/PIXEL [C4K] 4096x2160 "50.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
        [4K] 3840x2160 "50.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
        [3.3K] 3328x2496 (4:3) "50.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
        [FHD] 1920x1080 "100.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
100.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
50.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
25.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
25.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
*When Image Area of Video is set to APS-C."
    24.00Hz FULL [6K] 5952x3968 (3:2) 24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        [6K] 5952x3136 (17:9) 24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        [5.9K] 5888x3312 (16:9) 24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        [C4K] 4096x2160 "24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
        [4K] 3840x2160 "24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
        [FHD] 1920x1080 "48.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
48.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
24.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
24.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
      APS-C / PIXEL/PIXEL [C4K] 4096x2160 "48.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
48.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
        [4K] 3840x2160 "48.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
48.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
        [3.3K] 3328x2496 (4:3) "48.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
48.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
        [FHD] 1920x1080 "48.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
48.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
24.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
24.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
  MP4 (*1) 59.94Hz FULL [4K] 3840x2160 "29.97p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
23.98p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)"
        [FHD] 1920x1080 "59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)"
      APS-C / PIXEL/PIXEL [4K] 3840x2160 "59.94p, 100Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
29.97p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
23.98p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)"
        [FHD] 1920x1080 "59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)"
    50.00Hz FULL [4K] 3840x2160 "25.00p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)"
        [FHD] 1920x1080 "50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)"
      APS-C / PIXEL/PIXEL [4K] 3840x2160 "50.00p, 100Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
25.00p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)"
        [FHD] 1920x1080 "50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)"
    24.00Hz FULL -  
      APS-C / PIXEL/PIXEL -  
SLOW & QUICK MOV (*1) 59.94Hz FULL [FHD] 1920x1080 "59.94p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
29.97p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
*Angle of view narrows if you select a frame rate with a number of frames 151 or more."
      APS-C [C4K] 4096x2160 "29.97p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
        [4K] 3840x2160 "29.97p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
        [FHD] 1920x1080 "59.94p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
29.97p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
*Angle of view narrows if you select a frame rate with a number of frames 151 or more."
    50.00Hz FULL [FHD] 1920x1080 "50.00p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
25.00p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
*Angle of view narrows if you select a frame rate with a number of frames 151 or more."
      APS-C [C4K] 4096x2160 25.00p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        [4K] 3840x2160 25.00p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        [FHD] 1920x1080 "50.00p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
25.00p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
*Angle of view narrows if you select a frame rate with a number of frames 151 or more."
    24.00Hz FULL [FHD] 1920x1080 "24.00p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
*Angle of view narrows if you select a frame rate with a number of frames 151 or more."
      APS-C [C4K] 4096x2160 24.00p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        [4K] 3840x2160 24.00p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        [FHD] 1920x1080 "24.00p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
*Angle of view narrows if you select a frame rate with a number of frames 151 or more."
VIEWFINDER Type     OLED Live View Finder  
  Pixels     Approx. 3.68 million dots  
  Field of view / Magnification     Approx. 100% / Approx. 0.78x with 50 mm lens at infinity; -1.0 m-1, when the aspect ratio is set to 3:2  
  Eye point / Diopter adjustment     Approx. 21 mm at infinity; -1.0 m-1 / -4.0 - +2.0 (dpt)  
  Eye sensor     Yes  
  Display speed     120fps / 60fps  
REAR MONITOR Type     TFT LCD monitor with static touch control  
  Monitor size     Free-angle, 3.0-inch (7.6cm), 3:2 aspect  
  Pixels     Approx. 1.84 million dots  
  Field of view     Approx. 100%  
STATUS LCD       -  
FOCUS (*3) Type     Phase Detection AF system / Contrast AF system  
  DFD technology     Yes  
  Focus mode     AFS (Single) / AFC (Continuous) / MF  
  AF mode     "Tracking / Full Area AF / Zone (Horizontal/Vertical) / Zone / 1-Area+ / 1-Area / Pinpoint
*Automatic Detection can be turned ON to switch between Human/ Face/Eye/ Animal+Human. Except when Pinpoint is set."  
  AF detective range     EV -6 - 18 (F1.4, ISO100 equivalent, AFS)  
  AF custom setting     AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction  
  AF assist light     Yes  
  AF lock     Set the Fn button in custom menu to AF lock  
  Focus ring control     Nonlinear / Linear (90°/ 120°/ 150°/ 180°/ 210°/ 240°/ 270°/ 300°/ 330°/ 360°/ 720°/ 1080°/ Maximum)  
  Others     AF-ON, AF-ON: Near Shift, AF-ON: Far Shift, Focus Limiter, Focus Peaking, 1-Area AF Moving Speed, AF Micro Adjustment, Continuous AF (during motion picture recording), Focus/Shutter Priority, Focus Switching for Vert/Hor, AF/AE Lock Hold, AF+MF, MF Assist, MF Guide, Focus Ring Lock, Show/Hide AF Mode, Shutter AF, Half Press Shutter, Quick AF, Eye Sensor AF, Loop Focus Frame, Enlarged Live Display (Video), Touch Shutter, Touch AF/AE Function, Touch Pad AF, Lens Focus Resum  
EXPOSURE CONTROL Light metering system     1,728-zone multi-pattern sensing system  
  Light metering mode     Multiple / Center Weighted / Spot / Highlight Weighted  
  Metering range     EV0-18 (F2.0 lens, ISO100 equivalent)  
  Mode dial     "Program AE (P) / Aperture Priority AE (A) / Shutter Priority AE (S) / Manual Exposure (M) / Creative Video (P/A/S/M)* / Slow&Quick / Custom 1, 2, 3 / Intelligent Auto
*The same exposure operations as P/A/S/M mode is available."  
  Exposure compensation     1/3 EV step ±5EV (±3EV for motion picture)  
  ISO sensitivity (Standard output sensitivity)     "[Normal]
Auto / 50* / 100-51200 / 102400* / 204800* (1/3 or 1 EV step) *Extended ISO
 
[V-Log]
Auto / 320* / 640-51200 (1/3 or 1 EV step) *Extended ISO
 
[HLG]
Auto / 400-51200 / 102400* / 204800* (1/3 or 1 EV step) *Extended ISO"  
  Dual Native ISO     "[Normal]
Native ISO: 100, 640
Auto: Auto / 50* / 100-51200 / 102400* / 204800* *Extended ISO
Low: Auto / 50* / 100-800 *Extended ISO
High: Auto / 320* / 640-51200 / 102400* / 204800* *Extended ISO
 
[V-Log]
Native ISO: 640, 4000
Auto: Auto / 320* / 640-51200 *Extended ISO
Low: Auto / 320* / 640-5000 *Extended ISO
High: Auto / 2000* / 4000-51200 *Extended ISO
 
[HLG]
Native ISO: 400, 2500
Auto: Auto / 400-51200 / 102400* / 204800* *Extended ISO
Low: Auto / 400-3200
High: Auto / 2500-51200 / 102400* / 204800* *Extended ISO
 
[Cinelike D2 / Cinelike V2]
Native ISO: 200, 1250
Auto: Auto / 100* / 200-51200 / 102400* / 204800* *Extended ISO
Low: Auto /100* / 200-1600 *Extended ISO
High: Auto / 640* / 1250-51200 / 102400* / 204800* *Extended ISO"  
  AE lock     Set the Fn button in custom menu to AE lock  
IMAGE STABILIZATION SYSTEM       "B.I.S. (5-axis / 5-stop*) *Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm when S-R2060 is used.]
Dual I.S. 2 (6.5-stop*) *Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm when S-E70200 is used.] "  
WHITE BALANCE White balance     AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4  
  White balance adjustment     Blue/Amber bias, Magenta/Green bias  
  Color temperature setting     2500-10000K in 100K  
SHUTTER Type     Focal-plane shutter  
  Shutter speed     "Still image: Bulb (Max. 30 minutes), 1/8,000 - 60
Electronic front curtain shutter: Bulb (Max. 30 minutes), 1/2,000 - 60
Electronic shutter: Bulb (Max. 60 sec), 1/8,000 - 60
Motion picture: 1/16,000 - 1/25
Creative Video M mode / MF mode: 1/16,000 - 1/2"  
  Self timer     10sec, 3 images / 2sec / 10sec / Custom Time  
  Remote control     Remote control by DMW-RS2 (sold separately)  
  Silent mode / Shutter type     Yes / Yes (Auto / Mechanical / Electronic front curtain / Electronic / Electronic+NR)  
BRACKET AE bracket     3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst  
  Aperture bracket     3, 5 or all positions  
  Focus bracket     1 to 999 images, focus steps can be set in 10 levels  
  White balance bracket     3 images in blue/amber axis or in magenta/green axis, color temperature setting  
BURST SHOOTING Burst speed "Mechanical shutter /
Electronic front curtain shutter"   "H: 9 frames/sec (AFS/MF), 7 frames/sec (AFC) (with Live View)
M: 5 frames/sec (AFS/MF) (with Live View), 5 frames/sec (AFC) (with Live View)
L: 2 frames/sec (AFS/AFC/MF) (with Live View)"  
    Electronic shutter   "SH30: 30 frames/sec (AFS/AFC/MF)
H: 9 frames/sec (AFS/MF), 8 frames/sec (AFC) (with Live View)
M: 5 frames/sec (AFS/MF) (with Live View), 5 frames/sec (AFC) (with Live View)
L: 2 frames/sec (AFS/AFC/MF) (with Live View)"  
  Number of recordable images     "H/M/L*
RAW+JPEG: More than 200 images
RAW: More than 200 images
JPEG: More than 300 images
*Until the burst shooting speed slows. When recording is performed under the test conditions specified by Panasonic.
*When using a card with SD Speed Class with ""UHS-II UHS Speed Class 3 (U3)"".
 
SH
RAW / RAW+JPEG / JPEG: 200 images"  
FLASH Flash type     TTL External Flash (sold separately)  
  Synchronization speed     Less than 1/250 second *The guide number decreases at 1/250 second. Only when set to M mode or S mode.  
  Flash mode     Auto* / Auto/Red-eye Reduction* / Forced On / Forced On/Red-eye Reduction / Slow Sync. / Slow Sync./Red-eye Reduction / Forced Off *For iA only.  
  Flash synchronization     1st Curtain Sync, 2nd Curtain Sync.  
  Flash output adjustment     1/3EV step ±3EV  
  Wireless control     Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1ch/2ch/3ch/4ch  
EXTRA TELE CONVERSION       2.0x (EX S) (When using full-frame lenses), 1.9x (EX S) (When using APS-C / Super 35mm lenses), 1.4x (EX M) *Only for still image recording.  
COLOR SETTINGS Photo Style Photo Style   "Standard / Vivid / Natural / L. Classic Neo / Flat / Landscape / Portrait / Monochrome / L. Monochrome / L. Monochrome D / L. Monochrome S / Cinelike D2 / Cinelike V2 / Like709 / V-Log / REAL TIME LUT / Like2100 (HLG) / Like2100 (HLG) Full Range* / My Photo Style 1-4 (5-10)*
*Set to ON from Show/Hide Photo Style to select."  
    Picture adjustment   "Contrast / Highlight / Shadow / Saturation / Color Tone / Hue / Filter Effect / Grain Effect / Color Noise / Sharpness / Noise Reduction / ISO / WB / LUT
*Adjustable settings vary depending on the Photo Style mode."  
  Filter     Expressive / Retro / Old Days / High Key / Low Key / Sepia / Cross Process / Bleach Bypass  
  LUT Library     "Vlog_709 / Set 1-10
*REAL TIME LUT in Photo Style, Apply LUT in Fn button, Apply LUT in RAW Processing, LUT View Assist in V-Log View Assist, LUT can be applied from these settings."  
MOTION PICTURE FUNCTION Time lapse shot     Yes  
  Stop motion animation     Yes  
  Live cropping     Yes (Supports cropping from 5.9K (FULL) 30p/25p/24p video to 4K/FHD sizes)  
  SS/Gain operation     Shutter Duration/ISO / Angle/ISO / Shutter Duration/dB  
  Luminance level     "8-bit: 0-255 / 16-235 / 16-255
10-bit: 0‒1023 / 64‒940 / 64‒1023"  
  Synchro scan     Yes  
  Master pedestal level     31 steps  
  Color bars / 1kHz test tone     Yes (SMPTE / EBU / ARIB) / Yes  
  LUT view assist     "Supported file types: .vlt, .cube
Monitor / HDMI"  
  HLG view assist     Monitor (MODE1 / MODE2 / OFF) / HDMI (AUTO / MODE1 / MODE2 / OFF)  
  Anamorphic desqueeze display     2.0x / 1.8x / 1.5x / 1.33x / 1.30x / OFF  
  Wave form monitor / Vectorscope     Selectable  
  Knee control     Yes (in Like709 mode)  
  Red REC frame indicator     ON / OFF  
VERTICAL POSITION INFORMATION       Still image / Motion picture (ON/OFF)  
LEVEL GAUGE       Yes  
FUNCTION BUTTON REC     Exposure Comp. / Dual Native ISO / Sensitivity / White Balance / Photo Style / Apply LUT / Metering Mode / Aspect Ratio / Picture Quality / Picture Size / 1 Shot Spot Metering / Long Exposure NR / Min. Shutter Speed / 1 Shot RAW+JPG / i.Dynamic Range / Color Shading Compensation / Filter Effect / One Push AE / Touch AE / AWB Lock / Exposure Mode / Synchro Scan / AF Mode / AF Detection Setting / Detecting Subject / AF Custom Setting(Photo) / AF Custom Setting(Video) / Focus Limiter / Focus Limiter Range Set / Focus Peaking / Focus Peaking Sensitivity / 1-Area AF Moving Speed / Focus Ring Lock / AE LOCK / AF LOCK / AF/AE LOCK / AF-ON / AF-ON: Near Shift / AF-ON: Far Shift / Focus Area Set / Enlarged Live Display (Video) / Flash Mode / Flash Adjust. / Wireless Flash Setup / Drive Mode Setting / Bracketing / Silent Mode / Image Stabilizer / Shutter Type / Ex. Tele Conv. / Rec. File Format / Rec Quality / Rec Quality (My List) / Slow & Quick Setting / Time Code Display / Audio Information / Sound Rec Level Disp. / Mute Sound Input / Sound Rec Level Adj. / Sound Rec Quality / Sound Rec Level Limiter / 4ch Mic Input / XLR Mic Adaptor Setting / Sound Monitoring Channel / Image Stabilizer / E-Stabilization (Video) / Boost I.S. (Video) / Image Area of Video / Focus Transition / Live Cropping / Q.MENU / Rec/Playback Switch / Video Record / Video Record (Creative Video) / LVF/Monitor Switch / Operation Lock / Dial Operation Switch / Preview / Preview Aperture Effect / Constant Preview / Level Gauge / Histogram / Luminance Spot Meter / Frame Marker / Photo Grid Line / Live View Boost / Monochrome Live View / Night Mode / LVF/Monitor Disp. Set / Video-Priority Display / Zebra Pattern / LUT View Assist (Monitor) / LUT View Assist (HDMI) / LUT Select / HLG View Assist(Monitor) / HLG View Assist (HDMI) / Sheer Overlay / I.S. Status Scope / WFM/Vector Scope / Anamorphic Desqueeze Display / Color Bars / Focus Ring Control / AF Micro Adjustment / Lens Information / Destination Card Slot / Wi-Fi / Fan Mode / Save to Custom Mode / No Setting / Off (Disable Press and Hold) / Restore to Default  
  PLAY     Magnify from AF Point / LUT View Assist (Monitor) / HLG View Assist (Monitor) / Anamorphic Desqueeze Display / RAW Processing / Delete Single / Protect / Rating 1, 2, 3, 4, 5 / Copy / Rec/Playback Switch / LVF/Monitor Switch / Video Record / Video Record (Creative Video) / Night Mode / Card Slot Change / Sound Monitoring Channel(Play) / Wi-Fi / Fan Mode / Send Image (Smartphone) / LUT View Assist (HDMI) / HLG View Assist (HDMI) / No Setting / Off (Disable Press and Hold) / Restore to Default  
OSD LANGUAGE       Please refer to "OSD" Sheet  
INTERFACE USB     USB Type-C (SuperSpeed USB 10Gbps (USB 3.2 Gen2))  
  HDMI (*2) HDMI   "HDMI TypeA
Audio: ON / OFF, MP4: 2ch, MOV: 2ch (When [4ch Mic Input] is set to OFF.), 4ch (When [4ch Mic Input] is set to ON.)"  
    Monitor-through   "4:2:2 10bit (When [Rec Quality] is set to [4:2:2 10bit] or [4:2:0 10bit].)
4:2:2 8bit (When [Rec Quality] is set to [4:2:0 8bit].)"  
    Playback   "59.94Hz: C4K/60p / C4K/30p / 4K/60p / 4K/30p / 1080/120p / 1080p / 1080i / 720p* / 480p*
50.00Hz: C4K/50p / C4K/25p / 4K/50p / 4K/25p / 1080/100p / 1080p / 1080i / 720p* / 576p*
24.00Hz: C4K/24p / 4K/24p / 1080p
*Only for playback."  
  Remote input     φ2.5mm  
  Audio Build-in microphone   "Stereo
Wind Noise Canceller: OFF / Standard / High"  
    External microphone / External audio device input   "φ3.5mm for external microphone / external audio device
MIC (Plug-in Power) / MIC / LINE
Wind Cut: OFF / Low / Standard / High *When attaching 3.5mm microphone (sold separately).
Special Mic: Stereo / Shotgun *When attaching DMW-MS2 (sold separately)."  
    XLR microphone   Yes with DMW-XLR1 (sold separately)  
    4ch mic input   Yes with DMW-XLR1 (sold separately)  
    Speaker   Monaural  
    Headphone output   φ3.5mm  
  SD card slot     "Slot 1, Slot 2
SD Memory Card / SDHC Memory Card* / SDXC Memory Card*
*Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90 standard SDXC Memory Cards."  
TC IN/OUT Count up     Rec Run / Free Run  
  Time code mode     Drop Frame / Non-Drop Frame (When system frequency [59.94Hz] is selected.)  
  HDMI time code output     ON / OFF  
FAN       "Auto1 / Auto2 / Fast / Normal / Slow* / OFF**
*Not selectable when the resolution is higher than C4K, or the frame rate is higher than 60p.
**OFF can be set when in iA/P/A/S/M mode."  
WIRELESS Wi-Fi     "2.4GHz bands (STA/AP) (IEEE802.11b/g/n)
5GHz bands (STA) (IEEE 802.11a/n/ac)
Security: WPA/WPA2/WPA3
Please refer to ""Wi-Fi"" Sheet"  
  Bluetooth     Bluetooth® v5.0 (Bluetooth Low Energy (BLE))  
DUST AND SPLASH RESISTANT*       "Yes.
*Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water."  
POWER Battery     "Li-ion Battery Pack (7.2V, 2200mAh, 16Wh) (bundled)
USB power supply, USB power charging, USB power delivery"  
  Battery life (CIPA standard)     "Approx. 370 images, 1,250 images (Power Save LVF mode*) with S-R2060
Approx. 370 images, 1,200 images (Power Save LVF mode*) with S-S50
*Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec."  
  Continuous recordable time (Motion picture) (*1)     MP4 [4K/60p]: Approx. 90 min (APS-C), MP4 [FHD/60p]: Approx. 130 min (FULL) *When using S-R2060 / S-S50. When the battery is fully charged.  
  Actual recordable time (Motion picture) (*1)     MP4 [4K/60p]: Approx. 45 min (APS-C), MP4 [FHD/60p]: Approx. 65 min (FULL) *When using S-R2060 / S-S50. When the battery is fully charged.  
  Battery grip     DMW-BGS5 (sold separately)  
DIMENSIONS / WEIGHT Dimensions (W x H x D)     "Approx. 134.3 x 102.3 x 90.1 mm / 5.29 x 4.03 x 3.55 inch (Body only, excluding protrusions)
Approx. 134.3 x 102.3 x 157.0 mm / 5.29 x 4.03 x 6.19 inch (with S-R2060, excluding protrusions)
Approx. 134.3 x 102.3 x 151.8 mm / 5.29 x 4.03 x 5.98 inch (with S-S50, excluding protrusions)"  
  Weight     "Approx. 740g / 1.64 lb (Body, Hot Shoe Cover, Battery, SD Memory Card x 1) (excluding body cap)
Approx. 657g / 1.45 lb (Body, Hot Shoe Cover) (excluding body cap)"  
OPERATING ENVIRONMENT Operating temperature (*3)     0℃ to 40℃ (32℉ to 104℉)  
  Operating humidity     10%RH to 80%RH  
STANDARD ACCESSORIES Software Recording   "LUMIX Tether
・This software is used to control a Panasonic digital camera from a computer. It allows you to change various settings of the camera, perform remote recording, and save remotely recorded images to the PC. Check the site below to download and install the software.
http://panasonic.jp/support/global/cs/soft/download/d_lumixtether.html (For Windows / Mac)
 
LUMIX Sync
・This software is used to control a Panasonic digital camera from a smartphone. Check the site below to download and install the software.
https://panasonic.jp/support/global/cs/dsc/ (For Android™ / iOS)
"  
    Playback / Editing   "・The software to process RAW file on computer is not bundled with this camera. To do this, SILKYPIX Developer Studio is available for download at Ichikawa Soft Laboratory's website using computer connected to the Internet.
http://www.isl.co.jp/SILKYPIX/english/p/ (For Windows / Mac)"  
  Standard accessories     "DC-S5M2 Kit
Body Cap, Hot Shoe Cover, Cover for the Battery Grip Connector, Shoulder Strap, Battery Pack, AC Adaptor, USB Connection Cable (A-C)
 
DC-S5M2K Kit / DC-S5M2C Kit
Body Cap, Hot Shoe Cover, Cover for the Battery Grip Connector, Shoulder Strap, Battery Pack, AC Adaptor, USB Connection Cable (A-C), Lens Cap, Lens Hood, Lens Rear Cap
 
DC-S5M2W Kit
Body Cap, Hot Shoe Cover, Cover for the Battery Grip Connector, Shoulder Strap, Battery Pack, AC Adaptor, USB Connection Cable (A-C), Lens Cap x 2, Lens Hood x 2, Lens Rear Cap x 2
 
・The Operating Instructions for advanced features is available for downloaded at Panasonic LUMIX Customer Support Site using PC, smartphone or tablet connected to the Internet."  
"(*1) About motion picture recording
 
- Recording stops when the continuous recording time exceeds 30 minutes in [6K/29.97p] [6K/25.00p] [5.9K/29.97p] [5.9K/25.00p] when Thermal Management mode is set to Standard.
 
- The cards that can be used for recording vary depending on the motion pictures bit rate and format type.
Motion pictures with 72Mbps or less: SD memory card with SD Speed Class with Class 10 or Video Speed Class 10 or higher
Motion pictures with 200Mbps or less: SD memory card with UHS-I / UHS-II UHS Speed Class 3 (U3) or Video Speed Class 30 or higher
 
- A new file will be created to continue recording if the continuous recording time exceeds the following conditions.
Motion pictures with less than 72Mbps: 30 minutes
Motion pictures with 72Mbps or more: 3 hours 4 minutes
 
- A new file will be created to continue recording if the file size exceeds the following conditions.
[MP4] in [FHD]: 4GB
[MP4] in [4K]: 96GB
[MOV]: 192GB
 
(*2) High-res audio is selectable only when attaching Φ3.5mm microphone or DMW-XLR1 (sold separately)."          
"(*3) About AF
- Automatic Detection is not available for High Frame Rate video shooting above 60p (100p or 120p).
- Tracking and Automatic Detection are not available when using HDMI cable or USB connection cable for High Frame Rate video shooting (100p or 120p) above 60p.
 
(*4) To output motion pictures with 4K or higher, use a Premium High Speed HDMI cable (Type A - Type A plug)."          
 
Agree