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Panasonic Lumix GH7 LE Mirrorless Camera + 12-60mm F2.8-4 Lens Kit

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Panasonic Lumix GH7 LE Mirrorless Camera + 12-60mm F2.8-4 Lens Kit

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Highlights: • 25.5M sensor and 13+ stop dynamic range boost for vibrant, detailed photo/video
• Internal recording of Apple ProRes RAW and world’s first 32-bit float recording
• Compatibility with Adobe Frame.io Camera to Cloud
• Open Gate flexible framing covers every format in heightened detail
• Real-time LUT to load original LUT files and apply new color expressions to videos/photos
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Register For A Two Year Warranty

In the Box Panasonic Lumix GH7 Mirrorless Camera Panasonic DMW-BLK22 Lithium-Ion Battery (7.2V, 2200mAh) Battery Charger BNC Conversion Cable Shoulder Strap Body Cap Eye Cup Hot Shoe Cover Flash Socket Cap Limited 1-Year Manufacturer Warranty
Panasonic Lumix GH7 LE Mirrorless Camera + 12-60mm F2.8-4 Lens Kit
Product Code: DC-GH7LE
Barcode/EAN: 5025232964765
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Panasonic DC-GH7ME + Lumix G Vario 12-60mm F3.5-5.6 lens Kit
Product Code: DC-GH7ME
Barcode/EAN: Lumix G Vario 12-60mm f/3.5-5.6 lens
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The LUMIX GH7 offers dramatic enhancements in the speed and quality of video production, and more. 25.2M BSI CMOS sensor and improved AF performance with Phase Detection Autofocus that added Real-time Recognition AF for Human/Animal/Car /Motorcycle/Train/Airplane. Internal recording of Apple ProRes RAW and 32-bit float recording which does not require adjustment of the sound recording level during shooting. Adobe Cloud compatible; Real-time LUT; Open Gate. 

Efficient Workflow

GH7 is built to make your workflow seamless. ProRes RAW HQ internal recording and 32-bit float format recording can be performed on the camera body itself, making it possible to produce high-quality and high-efficiency content with minimal setup.

World’s First 32-bit Float Recording

When combined with the DMW-XLR2 (sold separately), the LUMIX GH7 delivers the world's first 32-bit float recording,* improving the quality and efficiency of the entire workflow. With its wide dynamic range, the 32-bit float format records more information, from quiet to loud sounds, eliminating the need for tedious sound level adjustments during audio recording.

*For an interchangeable lens digital camera, as of June 5th 2024. According to Panasonic's research.

ProRes RAW HQ Internal Recording

5.7K 30p ProRes RAW HQ footage can be recorded on the camera body itself, giving you the freedom to capture the moment at the click of a button with minimal setup and no need for external devices. Improved gimbal compatibility also expands the range of expressions.

*Recording is not possible on the SD card. 

ARRI LogC3 Recording

By using DMW-SFU3A Software Upgrade Key (sold separately), users can use the ARRI LogC3*, which enables color matching with ARRI’s digital cinema cameras. The image processing of the ARRI LogC3 curve on LUMIX GH7 has been certified by ARRI for the implementation of this function. The options for Log recording, which provides rich color information and a wide dynamic range, have been expanded to include ARRI LogC3 in addition to the conventional V-Log, further improving LUMIX’s workflow compatibility.

*ARRI LogC3 is a Log gamma developed by ARRI and used in ARRI digital cinema cameras. Please note: ALEXA 35 uses ARRI LogC4. 
*On the LUMIX GH7, ARRI LogC3 can be used for 10bit recording in Creative Video mode. 
・ARRI is registered trademarks of Arnold & Richter Cine Technik GmbH & Co. Betriebs KG.

Outstanding Reliability

No need to stop shooting due to overheating. The GH7's compact body and heat dissipation structure enable extended recording even when shooting at heavy loads (4:2:2 10-bit C4K/4K 60p/50p, ProRes RAW HQ).

Phase Hybrid AF

The most important thing with autofocus is to be dependable. In addition to contrast AF, the LUMIX GH7 offers the Phase Detection AF system, which dramatically improves subject tracking performance and metering technologies. The camera can capture the subject even in challenging scenes in which multiple subjects are involved, delivering accuracy even in backlit or low-light environments.

Real-time Recognition

The LUMIX’s advanced detection AF pushes the envelope on sports, wildlife, and car/motorcycle photography. The LUMIX GH7 can now recognize a wider range of subjects and target parts, including human and animal eyes, the front of vehicles, the helmets of drivers and motorcyclists, the first car of a train, and the nose of an airplane.

Richer Tonal Expression

Dynamic Range Boost function acquires two types of images with a single exposure and synthesizes them in real time to create composite images with rich tonal range even in scenes with significant luminance differences. With still images, it allows for richer expression of shadow tones in RAW data. With video, it enables 13+-stop V-Log/V-Gamut recording.

Real-time LUT

LUTs can be applied to photos and videos on the camera body itself, allowing you to create photos and videos straight out of the camera. Supports ".VLT" and ".CUBE" file formats. By utilizing this feature, you can save time on the complicated post-editing process. In combination with the LUMIX Lab app, you can easily create your own LUTs and install them on the camera.

LUMIX Lab App

GH7's ultra-fast Wi-Fi connection lets you pair the camera with your smartphone in three steps and transfer content seamlessly. You can also crop, adjust brightness, and apply LUTs, enabling simple editing for any social media platform to be done in a snap.

Native Camera-to-Cloud integration with Adobe’s Frame.io

With Frame.io Camera to Cloud, creator’s images and videos are automatically uploaded, backed up, shared, and worked on jointly via the cloud.

Live Streaming

Choose your favorite streaming approach to share your latest in real time! For outdoor use, wireless live streaming (RTMP/RTMPS) is easy to set up with the LUMIX Sync app. For indoor use, highly stable wired live streaming (RTP/RTSP) is also available.

 

Panasonic is proud to announce a new Software Upgrade Key DMW-SFU3A (sold separately) on the LUMIX GH7.


With this upgrade, ARRI LogC3* is enabled, and seamless color matching with ARRI’s digital cinema cameras can be achieved. The image processing of the ARRI LogC3 curve on LUMIX GH7 has been certified by ARRI for the implementation of this function. The options for Log recording, which provides rich color information and wide dynamic range, have been expanded to include ARRI LogC3 in addition to the conventional V-Log, further improving LUMIX’s workflow compatibility.


Video production using a wide variety of ARRI Looks Video data shot with LUMIX GH7 in ARRI LogC3 can easily be converted to your favorite look. The ARRI Look Library contains 871 high-quality ARRI Looks to choose from, and in the ARRI Look Library simulator available online, you can easily check the ARRI Look File that best fits your shooting style and scenario. It is also possible to store the LUT package for 709 conversion (ARRI Look Library LogC3 to Rec709 3D-LUTs) in the LUT Library of the LUMIX GH7, and combine it with the REAL TIME LUT function to capture videos with ARRI LUTs straight out of the camera.

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Production workflow compatible with a variety of viewing devices
Using the ARRI Look Library (log-to-log), you can color grade videos recorded with ARRI LogC3 and apply the desired ARRI Look within the log space. Additionally, by using the LUT package (ARRI_LogC3_v1- 2_LUT_Package) you can convert the color space of various display devices, allowing you to output the ARRI Look according to the desired color space in SDR and HDR.

Video production combined with ARRI digital cinema cameras
Shooting in ARRI LogC3 on the LUMIX GH7 is a perfect solution for situations that require added flexibility, such as mounting on a gimbal or drone. The LUMIX GH7 can easily match colors in shooting situations where cinema cameras, such as the ARRI ALEXA Mini, are used as the main camera. Furthermore, when DMW-SFU3A is installed, ARRI LogC3 in the LUMIX GH7 employs a curve that conforms to the standard sensitivity of ISO 800 of the ARRI camera. As the gamma curve does not change depending on the ISO sensitivity, users can use the same editing workflow no matter which ISO they shoot at. It also enables recording at ISO Auto, which is unique to mirrorless cameras.


In addition, ARRI LogC3 recording can also be used on the LUMIX GH6 in the same way as the LUMIX GH7 by using the Software Upgrade Key DMW-SFU3A, with the exemption of the REAL TIME LUT function which is not available on this model.

Key Specs
Lens Mount  
Micro Four Thirds
Sensor Resolution  
Actual: 26.52 Megapixel
Effective: 25.2 Megapixel (5776 x 4336)
Image Sensor  
17.3 x 13 mm (Four Thirds) MOS
Image Stabilization  
Sensor-Shift, 5-Axis
ISO Sensitivity Range  
Photo
100 to 25,600 in Auto Mode (Extended: 50 to 25,600)
Video
100 to 12,800 (Extended: 50 to 12,800)
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Continuous Shooting  
Mechanical Shutter
Up to 14 fps for up to 65 Frames (Raw) / 95 Frames (JPEG)
Electronic Shutter
Up to 75 fps for up to 200 Frames (Raw) / 200 Frames (JPEG)
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Internal Recording Modes  
H.264/MOV/MPEG-4 AVC/ProRes 422/ProRes 422 HQ 4:2:2 10-Bit
5728 x 3024 at 23.98/24.00/25/29.97 fps [1000 to 1900 Mb/s]
H.264 ALL-Intra/MOV 4:2:2 10-Bit
4096 x 2160 from 1 to 59.94 fps [400 to 800 Mb/s]
3840 x 2160 from 1 to 59.94 fps [400 to 800 Mb/s]
1920 x 1080p from 1 to 240 fps [200 to 800 Mb/s]
1920 x 1080i at 50/59.94 fps [100 Mb/s]
H.264 Long GOP/MOV/MPEG-4 AVC 4:2:2 10-Bit
4096 x 2160 from 1 to 59.94 fps [150 to 200 Mb/s]
3840 x 2160 from 1 to 59.94 fps [150 to 200 Mb/s]
1920 x 1080p from 1 to 240 fps [100 to 200 Mb/s]
1920 x 1080i at 50/59.94 fps [50 Mb/s]
H.265 Long GOP/MOV 4:2:0 10-Bit
5760 x 4320 at 23.98/24.00/25/29.97 fps [200 Mb/s]
5728 x 3024 from 1 to 59.94 fps [200 to 300 Mb/s]
4352 x 3264 at 47.95/48.00/50/59.94 fps [300 Mb/s]
4096 x 2160 [150 to 300 Mb/s]
3840 x 2160 [72 to 300 Mb/s]
1920 x 1080p from 1 to 300 fps [20 to 200 Mb/s]
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External Recording Modes  
4:2:2 10-Bit via HDMI
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps
1920 x 1080p at 23.98/24.00/25/29.97/50/59.94 fps
1920 x 1080i at 50/59.94 fps
Raw 12-Bit via HDMI
5760 x 4320
5744 x 3024
DCI 4K (4096 x 2160)
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Media/Memory Card Slot  
Slot 1: CFexpress Type B
Slot 2: SD/SDHC (UHS-II) [U3/V30 or Faster Recommended]
Video I/O  
1x HDMI (Unspecified Signal) Output
Audio I/O  
1x 1/8" / 3.5 mm TRRS Headphone/Mic Microphone Input
1x 1/8" / 3.5 mm TRRS Headphone/Mic Headphone Output
Power I/O  
1x USB-C Input/Output
Other I/O  
1x USB-C Data/Monitor/Tether/Video
Wireless  
5 GHz Wi-Fi 5 (802.11ac), Bluetooth 5.0 Video Output, Audio Output, Control
Display Type  
Free-Angle Tilting Touchscreen LCD
Battery Type  
1x DMW-BLK22 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 350 Shots)
Imaging
Lens Mount  
Micro Four Thirds
Sensor Resolution  
Actual: 26.52 Megapixel
Effective: 25.2 Megapixel (5776 x 4336)
Image Sensor  
17.3 x 13 mm (Four Thirds) MOS
Sensor Crop (35mm Equivalent)  
Crop Factor: 2x
*Additional Crop Occurs in Select Video Modes
Image Stabilization  
Sensor-Shift, 5-Axis
Built-In ND Filter  
No
Capture Type  
Stills & Video
Exposure Control
Shutter Type  
Electronic Rolling Shutter
Shutter Speed  
Electronic Front Curtain Shutter
1/2000 to 60 Seconds
Up to 30 Minutes in Bulb Mode
Electronic Shutter
1/32000 to 1 Second
to 60 Seconds in Bulb Mode
1/25,000 to 1/8 Second in Movie Mode
Bulb/Time Mode  
Bulb Mode, Time Mode
ISO Sensitivity Range  
Photo
100 to 25,600 in Auto Mode (Extended: 50 to 25,600)
Video
100 to 12,800 (Extended: 50 to 12,800)
Metering Method  
Center-Weighted Average, Highlight Weighted, Multiple, Spot
Exposure Modes  
Aperture Priority, Manual, Program, Shutter Priority
Exposure Compensation  
-5 to +5 EV (1/3 EV Steps)
Metering Range  
0 to 18 EV
White Balance  
Presets: Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4
Continuous Shooting  
Mechanical Shutter
Up to 14 fps for up to 65 Frames (Raw) / 95 Frames (JPEG)
Electronic Shutter
Up to 75 fps for up to 200 Frames (Raw) / 200 Frames (JPEG)
Interval Recording  
Yes
Self-Timer  
2/3/10-Second Delay
Still Image Capture
Image Sizes  
4:3
100 MP (11,552 x 8672) *Via In-Camera Pixel-Shift
50.5 MP (8192 x 6144) *Via In-Camera Pixel-Shift
25 MP (5776 x 4336)
12.5 MP (4096 x 3072)
6.5 MP (2944 x 2208)
3:2
89 MP (11,552 x 7696) *Via In-Camera Pixel-Shift
44.5 MP (8192 x 5464) *Via In-Camera Pixel-Shift
22 MP (5776 x 3848)
11 MP (4096 x 2728)
5.5 MP (2944 x 1960)
16:9
75 MP (11,552 x 6496) *Via In-Camera Pixel-Shift
37.5 MP (8192 x 4608) *Via In-Camera Pixel-Shift
18.5 MP (5776 x 3242)
9.5 MP (4096 x 2304)
5 MP (2944 x 1656)
1:1
75 MP (8672 x 8672) *Via In-Camera Pixel-Shift
37.5 MP (6144 x 6144) *Via In-Camera Pixel-Shift
19 MP (4336 x 4336)
9.5 MP (3072 x 3072)
5 MP (2208 x 2208)
Aspect Ratio  
1:1, 3:2, 4:3, 16:9
Image File Format  
JPEG, Raw
Bit Depth  
14-Bit
Video Capture
Internal Recording Modes  
H.264/MOV/MPEG-4 AVC/ProRes 422/ProRes 422 HQ 4:2:2 10-Bit
5728 x 3024 at 23.98/24.00/25/29.97 fps [1000 to 1900 Mb/s]
H.264 ALL-Intra/MOV 4:2:2 10-Bit
4096 x 2160 from 1 to 59.94 fps [400 to 800 Mb/s]
3840 x 2160 from 1 to 59.94 fps [400 to 800 Mb/s]
1920 x 1080p from 1 to 240 fps [200 to 800 Mb/s]
1920 x 1080i at 50/59.94 fps [100 Mb/s]
H.264 Long GOP/MOV/MPEG-4 AVC 4:2:2 10-Bit
4096 x 2160 from 1 to 59.94 fps [150 to 200 Mb/s]
3840 x 2160 from 1 to 59.94 fps [150 to 200 Mb/s]
1920 x 1080p from 1 to 240 fps [100 to 200 Mb/s]
1920 x 1080i at 50/59.94 fps [50 Mb/s]
H.265 Long GOP/MOV 4:2:0 10-Bit
5760 x 4320 at 23.98/24.00/25/29.97 fps [200 Mb/s]
5728 x 3024 from 1 to 59.94 fps [200 to 300 Mb/s]
4352 x 3264 at 47.95/48.00/50/59.94 fps [300 Mb/s]
4096 x 2160 [150 to 300 Mb/s]
3840 x 2160 [72 to 300 Mb/s]
1920 x 1080p from 1 to 300 fps [20 to 200 Mb/s]
External Recording Modes  
4:2:2 10-Bit via HDMI
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps
1920 x 1080p at 23.98/24.00/25/29.97/50/59.94 fps
1920 x 1080i at 50/59.94 fps
Raw 12-Bit via HDMI
5760 x 4320
5744 x 3024
DCI 4K (4096 x 2160)
Fast-/Slow-Motion Support  
Yes
Gamma Curve  
Panasonic V-Gamut, Panasonic V-Log
Recording Limit  
No
IP Streaming  
No
Built-In Microphone  
Stereo
Audio Recording  
MOV: 2/4-Channel 24-Bit 96 kHz LPCM Audio
MOV: 2/4-Channel 24-Bit 48 kHz LPCM Audio
MP4: 2-Channel 16-Bit 48 kHz AAC Audio
Interface
Media/Memory Card Slot  
Slot 1: CFexpress Type B
Slot 2: SD/SDHC (UHS-II) [U3/V30 or Faster Recommended]
Video I/O  
1x HDMI (Unspecified Signal) Output
Audio I/O  
1x 1/8" / 3.5 mm TRRS Headphone/Mic Microphone Input
1x 1/8" / 3.5 mm TRRS Headphone/Mic Headphone Output
Power I/O  
1x USB-C Input/Output
Other I/O  
1x USB-C Data/Monitor/Tether/Video
Wireless  
5 GHz Wi-Fi 5 (802.11ac), Bluetooth 5.0 Video Output, Audio Output, Control
Mobile App Compatible  
Yes: Android & iOS
App Name: Panasonic LUMIX Sync
Functionality: Access Stored Files, Adjust Settings, Firmware Update, Remote Control, View Live Feed
Global Positioning (GPS, GLONASS, etc.)  
GPS
*Via Connected Smartphone
Monitor
Display Size  
3"
Resolution  
1,840,000 Dot
Display Type  
Free-Angle Tilting Touchscreen LCD
Viewfinder
Type  
Built-In Electronic (OLED)
Resolution  
3,680,000 Dot
Eye Point  
21 mm
Coverage  
100%
Magnification  
Approx. 0.76x
Diopter Adjustment  
-4 to +3
Focus
Focus Type  
Auto and Manual Focus
Focus Mode  
Automatic, Continuous-Servo AF, Focus Lock AF Area Mode, Manual Focus, Single-Servo AF, Touch AF & Shutter
Autofocus Points  
Photo, Video
Contrast Detection: 315
Autofocus Sensitivity  
-4 to +18 EV
Flash
Built-In Flash/Light  
No
Flash Modes  
Auto, Auto/Red-Eye Reduction, Forced On, Forced On/Red-Eye Reduction, Off, Slow Sync, Slow Sync/Red-Eye Reduction
Maximum Sync Speed  
1/250 Second
Flash Compensation  
-3 to +3 EV (1/3 EV Steps)
Dedicated Flash System  
TTL
External Flash Connection  
Shoe Mount
Environmental
Operating Temperature  
14 to 104°F / -10 to 40°C
Storage Humidity  
10 to 80%
General
Battery Type  
1x DMW-BLK22 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 350 Shots)
Shoe Mount  
1x Hot Shoe
Tripod Mounting Thread  
1x 1/4"-20 Female
Material of Construction  
Magnesium Alloy
Dimensions (W x H x D)  
5.45 x 3.95 x 3.92" / 13.84 x 10.03 x 9.96 cm
Weight  
1.8 lb / 823 g (With Battery, Recording Media)
1.63 lb / 739 g (Body Only)
Packaging Info
Package Weight  
3.125 lb
Box Dimensions (LxWxH)  
8 x 6.4 x 6.1"
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