| Camera Features |
| Effective Sensor Size |
| 2/3 inch sensor size when using 4K B4 mount |
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| (Actual sensor size 23.10mm x 12.99mm) |
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| Lens Mount |
| B4 2/3 inch installed |
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| Active EF mount also included |
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| Lens Control |
| Electronic control via 12-pin broadcast connector. Control via EF mount pins when using URSA Mini Pro EF Mount with compatible EF lenses. |
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| Lens Correction |
| In-camera correction of color fringing when using compatible broadcast lenses. |
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| Dynamic Range |
| 13 Stops |
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| Dual Native ISO |
| 0dB and 18dB gain. |
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| Sensitivity at 0dB Gain |
| f11 with 2160p59.94. |
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| f12 with 2160p50. |
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| at 2,000 lux with 89.9% reflectance. |
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| additional 1.1 stop light loss using 4K B4 mount. |
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| Signal to Noise Ratio |
| 64.62dB for 2160p |
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| Ultra HD scaled from 5.3K |
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| Built in ND Filters |
| Four position ND filter wheel with clear, 2 stop, 4 stop and 6 stop ND filters. |
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| Focus |
| Focus button triggers auto focus when using compatible lenses with focus servo. Touch and hold on LCD determines focus region and triggers auto focus. |
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| Iris Control |
| Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video and extended video mode. |
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| Screen Dimensions |
| 4 inch |
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| Screen Type |
| LCD capacitive touchscreen. |
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| Controls |
| Touchscreen menus on 4 inch screen. Push buttons for other controls. 3 assignable shortcut keys and 2 assignable shortcut keys (VTR and RET) on compatible broadcast lenses. |
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| ProRes Shooting Resolutions |
| and Frame Rates |
| 3840 x 2160 (Ultra HD) up to 60 fps |
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| from Ultra HD window or scaled from 5.3K |
| windowed sensor |
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| 3840 x 2160 (Ultra HD) up to 50 fps |
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| scaled from full sensor |
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| 1920 x 1080 (HD) up to 120 fps |
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| scaled from 2.7K windowed sensor |
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| 1920 x 1080 (HD) up to 60 fps |
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| scaled from Ultra HD or 5.3K |
| windowed sensor |
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| 1920 x 1080 (HD) up to 50 fps |
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| scaled from full sensor |
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| H.265 Shooting Resolutions |
| and Frame Rates |
| 3840 x 2160 (Ultra HD) up to 60 fps |
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| from Ultra HD window or scaled from 5.3K |
| windowed sensor |
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| 3840 x 2160 (Ultra HD) up to 50 fps |
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| scaled from full sensor |
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| H.264 Shooting Resolutions |
| and Frame Rates |
| 1920 x 1080 (HD) up to 60 fps |
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| scaled from Ultra HD or 5.3K windowed sensor |
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| 1920 x 1080 (HD) up to 50 fps |
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| scaled from full sensor |
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| Blackmagic RAW Shooting Resolutions |
| and Frame Rates |
| 6144 x 3456 (6K) up to 50 fps |
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| 6144 x 2560 (6K 2.4:1) up to 60 fps |
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| 5376 x 3024 (5.3K 16:9) up to 60 fps |
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| 3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps |
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| 3840 x 2160 (Ultra HD) up to 60 fps |
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| 1920 x 1080 (HD) up to 150 fps |
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| Project Frame Rates |
| 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps. |
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| Off-speed frame rates up to 60p in Ultra HD and up to 150p in HD. |
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| Metadata Support |
| Automatically populated lens data from electronic B4 lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes. |
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| Timecode Clock |
| Highly accurate timecode clock. Less than 1 frame drift every 8 hours. |
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| Connections |
| SDI Video Inputs |
| 1 |
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| SDI Video Outputs |
| 1 |
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| SDI Monitor Outputs |
| 1 |
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| SDI Rates |
| 1.5G, 3G, 6G, 12G. |
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| Analog Audio Inputs |
| 2 x XLR switchable between mic, line and AES digital audio. Phantom power support. |
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| Analog Audio Outputs |
| 1 x 3.5mm headphone jack, supports iPhone style headset for talkback. |
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| Reference Inputs |
| Tri-Sync/Black Burst/Timecode. |
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| Lens Control |
| 1 x 12-pin Hirose Broadcast Lens Connector |
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| Remote Control |
| 1 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses. |
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| Computer Interface |
| 1 x USB Type‑C 3.1 Gen 2 with power delivery for external drive recording and connecting Blackmagic Focus and Zoom Demand. 1 x USB Type‑C for software updates. |
