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Panasonic Lumix DC-S5M2 WE + 20-60 + 50mm F1.8 Twin Lens kit (Mirrorless Camera)

Panasonic Lumix DC-S5M2 WE + 20-60 + 50mm F1.8 Twin Lens kit (Mirrorless Camera)

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Highlights: • 24.2MP Full-Frame CMOS Sensor
• 6K30p 4:2:0 10-Bit Video Recording
• C4K/4K60p 4:2:2 10-Bit Unlimited
• 3.68m-Dot 0.78x-Magnification OLED LVF
• 3.0" 1.84m-Dot Tilt/Free-Angle Touch-LCD
• 779-Point Phase-Detection AF System
• 5-Axis Sensor-Shift Image Stabilization
• ISO 100-51200, up to 30 fps Shooting
• Dual UHS-II SD Slots; Wi-Fi & Bluetooth
• Weather-Sealed Construction
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Panasonic Lumix DC-S5 M ll WE + 20-60 + 50mm F1.8 Twin Lens kit (Mirrorless Camera)
INSTANT SAVINGS! Free Panasonic S-S85mm Lens Worth €680 When You Purchase This Camera.
PANASONIC SAVE €200 WHEN BOUGHT WITH CAMERA,LENS OFFERS (S5M2/S5M2X-SERIES)

Purchase Any Of The Follwing Lenses With The Camera And Save €200 T&Cs Apply

Qualifing Lenses Below.  (Phone The Store For Further Details 01-6775594)

PANASONIC S-R14-28,R 16-35,R 24-70,R 24-105,R 28-200,R70-300,R 70-200,E 70-200,X 50

Panasonic Lumix DC-S5M2 WE + 20-60 + 50mm F1.8 Twin Lens kit (Mirrorless Camera)
Product Code: SKU : DC-S5M2WE
Barcode/EAN: 5025232942756
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The Panasonic Lumix S5 Mark ll is incredible in it,s performance in both photo and video capture and stunning lightweight mobility, the classically stylish LUMIX S5 II is designed to fulfil the demands of the most ambitious creators while representing exceptional value for money. Both the S5 II and S5 II X are built around a newly developed 24-megapixel 35mm full-frame CMOS sensor and imaging engine. The sensor supports Hybrid Phase Detection Auto-Focus, a first for LUMIX cameras, while the new engine provides superb image quality and high bit-rate video performance on a par with the LUMIX S1H. With a new imaging engine developed within the L2 Technology partnership formed by LEICA and LUMIX, and a new 24-megapixel sensor, the LUMIX S5II and S5IIX are the first LUMIX cameras to offer Hybrid Phase Detection Auto-Focus (PDAF). The new engine also gives the LUMIX S5IIX and S5II enhanced video recording capabilities including internal 4:2:0 10-bit 6K (3:2) and 5.9K (16:9) at 30fps and 4:2:2 C4K and 4K at up to 60fps, while a new low-profile heat management system allows for unlimited recording times without increasing the size of the camera body. The cameras also support HFR (High Frame Rate) recording at up to 120fps and Slow & Quick capture at up to 180fps. What's new? Phase detection AF The biggest news is the inclusion of on-sensor phase detection: a technology Panasonic has not previously used. Phase detection essentially works by generating two views of the scene from slightly different perspectives (typically by forming separate images that 'look' through the left and right sides of the lens) and comparing them. Just as with human vision that uses two eyes set apart from one another, this enables the camera to establish an understanding of distance and depth in the scene. Comparing the two images lets the camera calculate how far it needs to drive focus in order to bring the two perspectives into alignment, at which point the aligned subject is in focus. This is especially valuable in video mode, as it allows the camera to refocus to a different distance without overshooting and also, critically, means the camera can check that it's still in focus without having to move the lens. This means phase detection can be decisive in situations where it must hold focus, as it can confidently stay there. Panasonic says it helps to improve tracking ability, performance in low light levels and backlit conditions and when dealing with multiple subjects (staying locked on your chosen subject better because it knows which one in the scene it is). Subject recognition AF In the S5 II, Panasonic has combined its newfound depth awareness with an enhanced version of its existing subject recognition tracking system, which has been trained to recognize both humans and animals. There are three distinct recognition modes that narrow down your intended subject type, to maximize your success rate. Human + Animal tracking mode is the broadest and will track any of the subjects it's been trained to recognize, and we're told will prioritize animals. Human mode has a hierarchy of subjects it can detect, with the highest priority being eyes, then faces, then heads, then bodies; it will focus on the most important of these it can find. Finally, Face/Eye detection solely focuses on eyes and faces in the scene. In all three modes, the camera will start searching from your selected AF point and the area immediately around it, meaning It will focus on the specified subject type if it's found under your AF point. This system makes it possible to use the AF point to specify an individual subject in a group (you can also change its mind by tapping on the screen or using the joystick to jump between recognized faces). It also means you can leave Face/Eye detection on to specify a non-human subject, without the camera automatically giving precedence to any people in the frame. Note that when your AF area is the whole screen, Face/Eye mode will choose to focus on someone facing the camera, not simply the nearest human if can detect. Updated in-body image stabilization Panasonic has also improved its image stabilization system, promising a performance twice as effective as in the S5. For its revised system it's adopted the branding 'Active IS,' though it hasn't been very specific about how these improvements have been achieved. What the company has said is that its algorithms have been re-worked and that the camera assesses camera motion more precisely. We've been impressed with what we've seen from the S5 II so far, in terms of keeping both stills still and video clips smooth. The Boost IS mode, which tries to cancel all movement for a tripod-like video look, is particularly impressive. The stabilization system also underpins the eight-shot 96MP High Resolution mode. The S5 II doesn't have the hand-held high-res mode from the GH6, and so requires a tripod or otherwise fixed camera, but it still offers a motion correction mode for preventing artifacts from moving subjects in the scene. New processor At the heart of the S5 II is a new processing engine that is the first product of Panasonic's L² co-development project with Leica. The two companies shared know-how and resources to develop the new processor, which we'd expect to see in future Leica models, too. While Panasonic says the sensor in the S5 II is also new, from what we've seen its performance appears to be similar to its non-phase-detect predecessor, which suggests that its newfound ability to shoot at up to 30fps in e-shutter mode is more about having a processor able to cope with this speed. Built-in fan The S5 II includes a fan mechanism, to allow video shooting for extended periods. The fan is at the top of the camera, with vents under the leading edge and along the sides of the viewfinder hump, drawing the heat up and out of the camera. As usual, the fan sits outside the body's sealed area, so the vents aren't a weak point for its dust and splash resistant design. The fan means the S5 II can record for unlimited periods in most of its video modes, as tested by Panasonic at temperatures of 40°C (104°F). Panasonic points out that most of its rivals only quote figures for 22–25°C (72–77°F), which is significantly less demanding and less representative of average temperatures across much of the US. Video The S5 II builds on the video capabilities of the S5, despite using a chip with similar ˜21ms readout times for its 16:9 footage. The most obvious addition to the camera's capabilities is the ability to shoot full sensor height 3:2 'open gate' video. This is available at up to 30p and provides the scope to crop into various aspect ratios or to pan around the frame in post. Alternatively there are 6K options, either in UHD-style 16:9 aspect ratio or the DCI-like 18.9:1 format. Beyond this are the full-width 4K modes (both DCI and UHD) which are taken from 6K capture. These are offered at up to 30p and up to 10-bit 4:2:2 encoding.

TYPE Type  
 
Digital Single Lens Mirrorless camera  
 
Lens mount  
 
L-Mount  
IMAGE SENSOR Type  
 
35mm full-frame (35.6mm x 23.8mm) CMOS sensor  
 
Camera effective pixels / Total pixels  
 
24.20 megapixels / 25.28 megapixels  
 
AR (Anti Reflection) coating  
 
Yes  
 
Aspect ratio / Color filter  
 
3:2 / Primary color filter  
 
Dust reduction system  
 
Image sensor shift type  
LATITUDE  
 
 
14+ stops (V-Log)  
STILL IMAGE Recording file format  
 
JPEG (DCF, Exif 2.31), RAW  
 
Aspect ratio  
 
4:3 / 3:2 / 16:9 / 1:1 / 65:24 / 2:1  
 
File size (Pixels) When using full-frame lenses 3:2 6000x4000(L) / 4272x2848(M) / 3024x2016(S) / 12000x8000(XL)* / 8496x5664(LL)* *High Resolution mode.  
 
 
 
4:3 5328x4000(L) / 3792x2848(M) / 2688x2016(S) / 10656x8000(XL)* / 7552x5664(LL)* *High Resolution mode.  
 
 
 
16:9 6000x3368(L) / 4272x2400(M) / 3024x1704(S) / 12000x6736(XL)* / 8496x4784(LL)* *High Resolution mode.  
 
 
 
1:1 4000x4000(L) / 2848x2848(M) / 2016x2016(S) / 8000x8000(XL)* / 5664x5664(LL)* *High Resolution mode.  
 
 
 
65:24 6000x2208(L)  
 
 
 
2:1 6000x3000(L)  
 
 
When using APS-C/Super 35mm lenses 3:2 3984x2656(L) / 2880x1920(M) / 2064x1376(S)  
 
 
 
4:3 3536x2656(L) / 2560x1920(M) / 1840x1376(S)  
 
 
 
16:9 3984x2240(L) / 2880x1624(M) / 1920x1080(S)  
 
 
 
1:1 2656x2656(L) / 1920x1920(M) / 1376x1376(S)  
 
Image quality  
 
RAW / RAW+Fine / RAW+Standard / Fine / Standard (High Resolution mode: Combined / RAW / RAW+Fine / Fine)  
 
Color space  
 
sRGB, AdobeRGB  
MOTION PICTURE Recording file format  
 
"MOV: H.264/MPEG-4 AVC, H.265/HEVC
MP4: H.264/MPEG-4 AVC, H.265/HEVC"  
 
Audio format  
 
"MOV: LPCM (2ch 48kHz/24-bit, 96kHz/24-bit*) (4ch 48kHz/24-bit**, 96kHz/24-bit**)
MP4: AAC (2ch 48kHz/16-bit)
*When attaching Φ3.5mm microphone or DMW-XLR1 (sold separately). **When attaching DMW-XLR1 (sold separately)."  
 
System frequency  
 
59.94Hz / 50.00Hz / 24.00Hz  
 
Image area of video  
 
Full / APS-C / PIXEL/PIXEL  
 
"MOV (*1) (*2)
 
*HLG is selectable." 59.94Hz FULL [6K] 5952x3968 (3:2) "29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
 
 
 
 
[6K] 5952x3136 (17:9) "29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
 
 
 
 
[5.9K] 5888x3312 (16:9) "29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
 
 
 
 
[C4K] 4096x2160 "29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
 
 
 
 
[4K] 3840x2160 "29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
 
 
 
 
[FHD] 1920x1080 "119.88p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
119.88p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
59.94p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
47.95p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
47.95p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
29.97p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
29.97p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
23.98p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
 
 
 
APS-C / PIXEL/PIXEL [C4K] 4096x2160 "59.94p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
59.94p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
47.95p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
 
 
 
 
[4K] 3840x2160 "59.94p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
59.94p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
47.95p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
 
 
 
 
[3.3K] 3328x2496 (4:3) "47.95p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
 
 
 
 
[FHD] 1920x1080 "119.88p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
119.88p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
59.94p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
47.95p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
47.95p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
29.97p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
29.97p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
23.98p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
*When Image Area of Video is set to APS-C."
 
 
50.00Hz FULL [6K] 5952x3968 (3:2) 25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
 
 
 
 
[6K] 5952x3136 (17:9) 25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
 
 
 
 
[5.9K] 5888x3312 (16:9) 25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
 
 
 
 
[C4K] 4096x2160 "25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
 
 
 
 
[4K] 3840x2160 "25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
 
 
 
 
[FHD] 1920x1080 "100.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
100.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
50.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
25.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
25.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
 
 
 
APS-C / PIXEL/PIXEL [C4K] 4096x2160 "50.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
 
 
 
 
[4K] 3840x2160 "50.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
 
 
 
 
[3.3K] 3328x2496 (4:3) "50.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
 
 
 
 
[FHD] 1920x1080 "100.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
100.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
50.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
25.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
25.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
*When Image Area of Video is set to APS-C."
 
 
24.00Hz FULL [6K] 5952x3968 (3:2) 24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
 
 
 
 
[6K] 5952x3136 (17:9) 24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
 
 
 
 
[5.9K] 5888x3312 (16:9) 24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
 
 
 
 
[C4K] 4096x2160 "24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
 
 
 
 
[4K] 3840x2160 "24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
 
 
 
 
[FHD] 1920x1080 "48.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
48.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
24.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
24.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
 
 
 
APS-C / PIXEL/PIXEL [C4K] 4096x2160 "48.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
48.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
 
 
 
 
[4K] 3840x2160 "48.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
48.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
 
 
 
 
[3.3K] 3328x2496 (4:3) "48.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
48.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
 
 
 
 
[FHD] 1920x1080 "48.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
48.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
24.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
24.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
 
MP4 (*1) 59.94Hz FULL [4K] 3840x2160 "29.97p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
23.98p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)"
 
 
 
 
[FHD] 1920x1080 "59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)"
 
 
 
APS-C / PIXEL/PIXEL [4K] 3840x2160 "59.94p, 100Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
29.97p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
23.98p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)"
 
 
 
 
[FHD] 1920x1080 "59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)"
 
 
50.00Hz FULL [4K] 3840x2160 "25.00p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)"
 
 
 
 
[FHD] 1920x1080 "50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)"
 
 
 
APS-C / PIXEL/PIXEL [4K] 3840x2160 "50.00p, 100Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
25.00p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)"
 
 
 
 
[FHD] 1920x1080 "50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)"
 
 
24.00Hz FULL -  
 
 
 
APS-C / PIXEL/PIXEL -  
SLOW & QUICK MOV (*1) 59.94Hz FULL [FHD] 1920x1080 "59.94p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
29.97p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
*Angle of view narrows if you select a frame rate with a number of frames 151 or more."
 
 
 
APS-C [C4K] 4096x2160 "29.97p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
 
 
 
 
[4K] 3840x2160 "29.97p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)"
 
 
 
 
[FHD] 1920x1080 "59.94p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
29.97p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
*Angle of view narrows if you select a frame rate with a number of frames 151 or more."
 
 
50.00Hz FULL [FHD] 1920x1080 "50.00p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
25.00p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
*Angle of view narrows if you select a frame rate with a number of frames 151 or more."
 
 
 
APS-C [C4K] 4096x2160 25.00p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
 
 
 
 
[4K] 3840x2160 25.00p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
 
 
 
 
[FHD] 1920x1080 "50.00p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
25.00p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
*Angle of view narrows if you select a frame rate with a number of frames 151 or more."
 
 
24.00Hz FULL [FHD] 1920x1080 "24.00p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
*Angle of view narrows if you select a frame rate with a number of frames 151 or more."
 
 
 
APS-C [C4K] 4096x2160 24.00p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
 
 
 
 
[4K] 3840x2160 24.00p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
 
 
 
 
[FHD] 1920x1080 "24.00p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
*Angle of view narrows if you select a frame rate with a number of frames 151 or more."
VIEWFINDER Type  
 
OLED Live View Finder  
 
Pixels  
 
Approx. 3.68 million dots  
 
Field of view / Magnification  
 
Approx. 100% / Approx. 0.78x with 50 mm lens at infinity; -1.0 m-1, when the aspect ratio is set to 3:2  
 
Eye point / Diopter adjustment  
 
Approx. 21 mm at infinity; -1.0 m-1 / -4.0 - +2.0 (dpt)  
 
Eye sensor  
 
Yes  
 
Display speed  
 
120fps / 60fps  
REAR MONITOR Type  
 
TFT LCD monitor with static touch control  
 
Monitor size  
 
Free-angle, 3.0-inch (7.6cm), 3:2 aspect  
 
Pixels  
 
Approx. 1.84 million dots  
 
Field of view  
 
Approx. 100%  
STATUS LCD  
 
 
-  
FOCUS (*3) Type  
 
Phase Detection AF system / Contrast AF system  
 
DFD technology  
 
Yes  
 
Focus mode  
 
AFS (Single) / AFC (Continuous) / MF  
 
AF mode  
 
"Tracking / Full Area AF / Zone (Horizontal/Vertical) / Zone / 1-Area+ / 1-Area / Pinpoint
*Automatic Detection can be turned ON to switch between Human/ Face/Eye/ Animal+Human. Except when Pinpoint is set."  
 
AF detective range  
 
EV -6 - 18 (F1.4, ISO100 equivalent, AFS)  
 
AF custom setting  
 
AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction  
 
AF assist light  
 
Yes  
 
AF lock  
 
Set the Fn button in custom menu to AF lock  
 
Focus ring control  
 
Nonlinear / Linear (90°/ 120°/ 150°/ 180°/ 210°/ 240°/ 270°/ 300°/ 330°/ 360°/ 720°/ 1080°/ Maximum)  
 
Others  
 
AF-ON, AF-ON: Near Shift, AF-ON: Far Shift, Focus Limiter, Focus Peaking, 1-Area AF Moving Speed, AF Micro Adjustment, Continuous AF (during motion picture recording), Focus/Shutter Priority, Focus Switching for Vert/Hor, AF/AE Lock Hold, AF+MF, MF Assist, MF Guide, Focus Ring Lock, Show/Hide AF Mode, Shutter AF, Half Press Shutter, Quick AF, Eye Sensor AF, Loop Focus Frame, Enlarged Live Display (Video), Touch Shutter, Touch AF/AE Function, Touch Pad AF, Lens Focus Resum  
EXPOSURE CONTROL Light metering system  
 
1,728-zone multi-pattern sensing system  
 
Light metering mode  
 
Multiple / Center Weighted / Spot / Highlight Weighted  
 
Metering range  
 
EV0-18 (F2.0 lens, ISO100 equivalent)  
 
Mode dial  
 
"Program AE (P) / Aperture Priority AE (A) / Shutter Priority AE (S) / Manual Exposure (M) / Creative Video (P/A/S/M)* / Slow&Quick / Custom 1, 2, 3 / Intelligent Auto
*The same exposure operations as P/A/S/M mode is available."  
 
Exposure compensation  
 
1/3 EV step ±5EV (±3EV for motion picture)  
 
ISO sensitivity (Standard output sensitivity)  
 
"[Normal]
Auto / 50* / 100-51200 / 102400* / 204800* (1/3 or 1 EV step) *Extended ISO
 
[V-Log]
Auto / 320* / 640-51200 (1/3 or 1 EV step) *Extended ISO
 
[HLG]
Auto / 400-51200 / 102400* / 204800* (1/3 or 1 EV step) *Extended ISO"  
 
Dual Native ISO  
 
"[Normal]
Native ISO: 100, 640
Auto: Auto / 50* / 100-51200 / 102400* / 204800* *Extended ISO
Low: Auto / 50* / 100-800 *Extended ISO
High: Auto / 320* / 640-51200 / 102400* / 204800* *Extended ISO
 
[V-Log]
Native ISO: 640, 4000
Auto: Auto / 320* / 640-51200 *Extended ISO
Low: Auto / 320* / 640-5000 *Extended ISO
High: Auto / 2000* / 4000-51200 *Extended ISO
 
[HLG]
Native ISO: 400, 2500
Auto: Auto / 400-51200 / 102400* / 204800* *Extended ISO
Low: Auto / 400-3200
High: Auto / 2500-51200 / 102400* / 204800* *Extended ISO
 
[Cinelike D2 / Cinelike V2]
Native ISO: 200, 1250
Auto: Auto / 100* / 200-51200 / 102400* / 204800* *Extended ISO
Low: Auto /100* / 200-1600 *Extended ISO
High: Auto / 640* / 1250-51200 / 102400* / 204800* *Extended ISO"  
 
AE lock  
 
Set the Fn button in custom menu to AE lock  
IMAGE STABILIZATION SYSTEM  
 
 
"B.I.S. (5-axis / 5-stop*) *Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm when S-R2060 is used.]
Dual I.S. 2 (6.5-stop*) *Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm when S-E70200 is used.] "  
WHITE BALANCE White balance  
 
AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4  
 
White balance adjustment  
 
Blue/Amber bias, Magenta/Green bias  
 
Color temperature setting  
 
2500-10000K in 100K  
SHUTTER Type  
 
Focal-plane shutter  
 
Shutter speed  
 
"Still image: Bulb (Max. 30 minutes), 1/8,000 - 60
Electronic front curtain shutter: Bulb (Max. 30 minutes), 1/2,000 - 60
Electronic shutter: Bulb (Max. 60 sec), 1/8,000 - 60
Motion picture: 1/16,000 - 1/25
Creative Video M mode / MF mode: 1/16,000 - 1/2"  
 
Self timer  
 
10sec, 3 images / 2sec / 10sec / Custom Time  
 
Remote control  
 
Remote control by DMW-RS2 (sold separately)  
 
Silent mode / Shutter type  
 
Yes / Yes (Auto / Mechanical / Electronic front curtain / Electronic / Electronic+NR)  
BRACKET AE bracket  
 
3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst  
 
Aperture bracket  
 
3, 5 or all positions  
 
Focus bracket  
 
1 to 999 images, focus steps can be set in 10 levels  
 
White balance bracket  
 
3 images in blue/amber axis or in magenta/green axis, color temperature setting  
BURST SHOOTING Burst speed "Mechanical shutter /
Electronic front curtain shutter"  
"H: 9 frames/sec (AFS/MF), 7 frames/sec (AFC) (with Live View)
M: 5 frames/sec (AFS/MF) (with Live View), 5 frames/sec (AFC) (with Live View)
L: 2 frames/sec (AFS/AFC/MF) (with Live View)"  
 
 
Electronic shutter  
"SH30: 30 frames/sec (AFS/AFC/MF)
H: 9 frames/sec (AFS/MF), 8 frames/sec (AFC) (with Live View)
M: 5 frames/sec (AFS/MF) (with Live View), 5 frames/sec (AFC) (with Live View)
L: 2 frames/sec (AFS/AFC/MF) (with Live View)"  
 
Number of recordable images  
 
"H/M/L*
RAW+JPEG: More than 200 images
RAW: More than 200 images
JPEG: More than 300 images
*Until the burst shooting speed slows. When recording is performed under the test conditions specified by Panasonic.
*When using a card with SD Speed Class with ""UHS-II UHS Speed Class 3 (U3)"".
 
SH
RAW / RAW+JPEG / JPEG: 200 images"  
FLASH Flash type  
 
TTL External Flash (sold separately)  
 
Synchronization speed  
 
Less than 1/250 second *The guide number decreases at 1/250 second. Only when set to M mode or S mode.  
 
Flash mode  
 
Auto* / Auto/Red-eye Reduction* / Forced On / Forced On/Red-eye Reduction / Slow Sync. / Slow Sync./Red-eye Reduction / Forced Off *For iA only.  
 
Flash synchronization  
 
1st Curtain Sync, 2nd Curtain Sync.  
 
Flash output adjustment  
 
1/3EV step ±3EV  
 
Wireless control  
 
Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1ch/2ch/3ch/4ch  
EXTRA TELE CONVERSION  
 
 
2.0x (EX S) (When using full-frame lenses), 1.9x (EX S) (When using APS-C / Super 35mm lenses), 1.4x (EX M) *Only for still image recording.  
COLOR SETTINGS Photo Style Photo Style  
"Standard / Vivid / Natural / L. Classic Neo / Flat / Landscape / Portrait / Monochrome / L. Monochrome / L. Monochrome D / L. Monochrome S / Cinelike D2 / Cinelike V2 / Like709 / V-Log / REAL TIME LUT / Like2100 (HLG) / Like2100 (HLG) Full Range* / My Photo Style 1-4 (5-10)*
*Set to ON from Show/Hide Photo Style to select."  
 
 
Picture adjustment  
"Contrast / Highlight / Shadow / Saturation / Color Tone / Hue / Filter Effect / Grain Effect / Color Noise / Sharpness / Noise Reduction / ISO / WB / LUT
*Adjustable settings vary depending on the Photo Style mode."  
 
Filter  
 
Expressive / Retro / Old Days / High Key / Low Key / Sepia / Cross Process / Bleach Bypass  
 
LUT Library  
 
"Vlog_709 / Set 1-10
*REAL TIME LUT in Photo Style, Apply LUT in Fn button, Apply LUT in RAW Processing, LUT View Assist in V-Log View Assist, LUT can be applied from these settings."  
MOTION PICTURE FUNCTION Time lapse shot  
 
Yes  
 
Stop motion animation  
 
Yes  
 
Live cropping  
 
Yes (Supports cropping from 5.9K (FULL) 30p/25p/24p video to 4K/FHD sizes)  
 
SS/Gain operation  
 
Shutter Duration/ISO / Angle/ISO / Shutter Duration/dB  
 
Luminance level  
 
"8-bit: 0-255 / 16-235 / 16-255
10-bit: 0‒1023 / 64‒940 / 64‒1023"  
 
Synchro scan  
 
Yes  
 
Master pedestal level  
 
31 steps  
 
Color bars / 1kHz test tone  
 
Yes (SMPTE / EBU / ARIB) / Yes  
 
LUT view assist  
 
"Supported file types: .vlt, .cube
Monitor / HDMI"  
 
HLG view assist  
 
Monitor (MODE1 / MODE2 / OFF) / HDMI (AUTO / MODE1 / MODE2 / OFF)  
 
Anamorphic desqueeze display  
 
2.0x / 1.8x / 1.5x / 1.33x / 1.30x / OFF  
 
Wave form monitor / Vectorscope  
 
Selectable  
 
Knee control  
 
Yes (in Like709 mode)  
 
Red REC frame indicator  
 
ON / OFF  
VERTICAL POSITION INFORMATION  
 
 
Still image / Motion picture (ON/OFF)  
LEVEL GAUGE  
 
 
Yes  
FUNCTION BUTTON REC  
 
Exposure Comp. / Dual Native ISO / Sensitivity / White Balance / Photo Style / Apply LUT / Metering Mode / Aspect Ratio / Picture Quality / Picture Size / 1 Shot Spot Metering / Long Exposure NR / Min. Shutter Speed / 1 Shot RAW+JPG / i.Dynamic Range / Color Shading Compensation / Filter Effect / One Push AE / Touch AE / AWB Lock / Exposure Mode / Synchro Scan / AF Mode / AF Detection Setting / Detecting Subject / AF Custom Setting(Photo) / AF Custom Setting(Video) / Focus Limiter / Focus Limiter Range Set / Focus Peaking / Focus Peaking Sensitivity / 1-Area AF Moving Speed / Focus Ring Lock / AE LOCK / AF LOCK / AF/AE LOCK / AF-ON / AF-ON: Near Shift / AF-ON: Far Shift / Focus Area Set / Enlarged Live Display (Video) / Flash Mode / Flash Adjust. / Wireless Flash Setup / Drive Mode Setting / Bracketing / Silent Mode / Image Stabilizer / Shutter Type / Ex. Tele Conv. / Rec. File Format / Rec Quality / Rec Quality (My List) / Slow & Quick Setting / Time Code Display / Audio Information / Sound Rec Level Disp. / Mute Sound Input / Sound Rec Level Adj. / Sound Rec Quality / Sound Rec Level Limiter / 4ch Mic Input / XLR Mic Adaptor Setting / Sound Monitoring Channel / Image Stabilizer / E-Stabilization (Video) / Boost I.S. (Video) / Image Area of Video / Focus Transition / Live Cropping / Q.MENU / Rec/Playback Switch / Video Record / Video Record (Creative Video) / LVF/Monitor Switch / Operation Lock / Dial Operation Switch / Preview / Preview Aperture Effect / Constant Preview / Level Gauge / Histogram / Luminance Spot Meter / Frame Marker / Photo Grid Line / Live View Boost / Monochrome Live View / Night Mode / LVF/Monitor Disp. Set / Video-Priority Display / Zebra Pattern / LUT View Assist (Monitor) / LUT View Assist (HDMI) / LUT Select / HLG View Assist(Monitor) / HLG View Assist (HDMI) / Sheer Overlay / I.S. Status Scope / WFM/Vector Scope / Anamorphic Desqueeze Display / Color Bars / Focus Ring Control / AF Micro Adjustment / Lens Information / Destination Card Slot / Wi-Fi / Fan Mode / Save to Custom Mode / No Setting / Off (Disable Press and Hold) / Restore to Default  
 
PLAY  
 
Magnify from AF Point / LUT View Assist (Monitor) / HLG View Assist (Monitor) / Anamorphic Desqueeze Display / RAW Processing / Delete Single / Protect / Rating 1, 2, 3, 4, 5 / Copy / Rec/Playback Switch / LVF/Monitor Switch / Video Record / Video Record (Creative Video) / Night Mode / Card Slot Change / Sound Monitoring Channel(Play) / Wi-Fi / Fan Mode / Send Image (Smartphone) / LUT View Assist (HDMI) / HLG View Assist (HDMI) / No Setting / Off (Disable Press and Hold) / Restore to Default  
OSD LANGUAGE  
 
 
Please refer to "OSD" Sheet  
INTERFACE USB  
 
USB Type-C (SuperSpeed USB 10Gbps (USB 3.2 Gen2))  
 
HDMI (*2) HDMI  
"HDMI TypeA
Audio: ON / OFF, MP4: 2ch, MOV: 2ch (When [4ch Mic Input] is set to OFF.), 4ch (When [4ch Mic Input%5
Agree